Artist Kerri Rosenthal’s Connecticut home is a neutral backdrop for her art
Anyone who knows that of Kerri Rosenthal art – or his cheery shop in Westport, Connecticut – might expect his home to be full of color. But, despite the bold hues favored in his creative work, Rosenthal’s family home goes neutral, relying on texture and light to provide comfort and warmth. “For me, my business world is all about color – our business model is happy chaos, but it feels chaotic – so when I get home I need to relax,” says Rosenthal. “I need my house to be as neutral as possible.”
The other advantage of a neutral background? “It allows me to paint the pictures I want and hang them,” explains the artist. “I don’t believe in matching your art to your interior, but when your home is neutral the sky is the limit. This allows me to change things as soon as I feel like it.
And that strike happens a lot – the Rosenthal House is sort of a revolving gallery space, with artwork (as well as remnants of any project Rosenthal may be working on) constantly spinning. “Either I’m in the mood to change it or something sells,” Rosenthal explains.
She, her husband and her children moved into the house just over 5 years ago… and had to deal with some much needed renovations. “It had been built in 1995 and had never been updated,” says Rosenthal. When she saw the house for the first time, “my first response to my husband was ‘no way’,” laughs the designer. She had just opened her first retail store and didn’t think she could take on a Reno at the same time. But the layout of the house was promising, so “we made it happen,” says Rosenthal.
It meant not tackling everything at once: “We made a very achievable priority list and did things that were more of a surface renovation than a gut,” she reveals. “The floors were stripped – we bleached the red oak three times and reduced them to the purest oak possible and applied a natural matt coating. It changed the game. Then we put white paint all over to have a clean canvas.
But finding the right white was a project in itself. “I don’t like yellow too much, nor do I like cold hard white,” says Rosenthal. “When the sun hits it, you want it to warm up. I find this especially with Farrow & Ball paints so I tend to use them. She opted for All White in most of the house (“There’s a real warmth,” she explains), then moved on to Wimborne in the dining room. “When the sun hits it, it shines,” she says of the color. “It looks like a white New York apartment, but it worked with the oak table.”
For her bedroom, she chose a mix of Pointing and All White, and for her daughter’s bedroom, she went for Cornforth White, which was also used for garnish throughout.
With the basic set, Rosenthal has filled the house with textural elements that invite coziness. Take the full tour below.
Although the double-height entrance to the house has a minimal pallet, there is still a plethora of artwork leaning against the walls. “This is my hub, my Grand Central,” Rosenthal says of space. “I have works of art sent to customers who end up there for my messenger to pick up. . ”
Although the kitchen “needed more guts” when the family first moved into the house, Rosenthal found a way to hack it (partially): “We worked with the cabinets and just turned them over. doors, so the shaker was inside ‘during more minimalist look. Then they added some new drawer fronts, new appliances, quartzite counters and changed the shape of the island. “We gave it a new look which took maybe three weeks,” says Rosenthal.
Meanwhile, a table and bench serves as a work and homework station, a dining table, or a craft center, depending on the day. “I loved bringing richer colors with the walnut table and the pillow mix on my Frederico bench,” says Rosenthal.
In this all-white room, it’s all about texture. “You have to know when to strike the right balance with what I call the wind and fire of the earth,” Rosenthal says of the balance of different neutral hues and textures. “When he’s out of whack, you feel bad.” But here she finds a mix that adds depth: “The sectional sofa is a very white crushed velvet, mixed with a Belgian linen sofa from a previous house that works together, with an oyster-colored wool rug, then a lot. of wood, and even the little vintage Lucite coffee table, ”she says. “With the stone around the fireplace and a few trees for the greenery, here is your balance.”
The dining room
“It can’t always be white, and even the darkest colors are neutral,” Rosenthal emphasizes. In the family room, this comes in the form of dark cabinets. “I still have my grays and my antlers and my moles, but the house came with these amazing elements built in with this slate background and I really liked that, so as soon as I whitewashed the rest I felt like that was the inspiration for the rest of the room, ”she explains.“ I added curtain panels in one of my fabrics, but they’re indigo and oyster linen , so always neutral. ”The family’s books and collectibles add character to the shelves. The room’s smartest feature, however, is perhaps Rosenthal’s use of a large-scale painting to disguise television.
“I wanted the walls to be warmer, so I mixed two Farrow & Ball colors to create a very warm feeling,” Rosenthal reveals. She opted for a lot of gray furniture and warmed things up with a rug. “I love the rugs in my room, all rooms have them,” she says. “Ours is a bit tweed, which makes you feel comfortable. ”
For her daughter’s bedroom, Rosenthal went bolder with a pink bedspread, which stands out against wallpaper from Rosenthal’s own line. But the loudest parts are removable, so her daughter can redraw as she grows up.
Rosenthal creates her colorful work in the sunny studio upstairs of the house. “The selling point of this house was that it had a space that I could use as a studio,” she says. Like the rest of the house, she painted the space white when she moved in, but five years of work resulted in a rainbow of splashing across the floor, a pattern Rosenthal actually transformed. into a fabric pattern. “Life in the room is the paintings and my table filled with all my materials,” she says. “This is my favorite place.”
When they moved in, the patio was sloped – “and I don’t like anything slanted,” Rosenthal reveals. “We squared it up, painted it black, then stripped off the wood decking and let it do its natural job, so it grays beautifully.” She has equipped it (as well as the veranda which surrounds the house) with comfortable outdoor furniture. “We had so much fun designing a space that felt like an extension of what was going on inside, just as comfortable,” she says. “We use this space so much. We sit there at the end of the day in the summer and watch the sunset. It’s just a great perch.”
Follow House Beautiful on Instagram.
This content is created and maintained by a third party, and imported to this page to help users provide their email addresses. You may be able to find more information about this and other similar content on piano.io